In the pantheon of the noble art, there is a name often forgotten — Aaron Pryor — a man whose story evokes the epic of legendary battles and deep regrets, a constant rollercoaster of emotions. His life was an unending alternation of downfall and redemption, impossible to confine within a few lines.
Aaron was a unique boxer with an unorthodox style. Nicknamed “The Hawk” for the way he swooped down on his opponents, he fought guided by a sort of predatory instinct combined with a dizzying pace made possible by an extraordinary stamina. He possessed uncommon hand speed, great power, and an incredible ability to punch from unusual angles with astonishing ease. A perpetual motion machine — seemingly chaotic — “like a swarm of hornets,” according to Tracey Gilliam of the Detroit Boxing Legends Hall of Fame, as he whirled his arms with no apparent logic, guided only by instinct in a kind of violent catharsis. He stepped into the ring with a near-animal energy, electrified by his unstoppable intensity.
But that was only an illusion, largely fueled by a certain kind of journalism that sought to exaggerate the more brutal aspects of his boxing, the ones that sold best. In reality, Pryor was an exceptionally skilled fighter, with top-level punching ability, excellent footwork, and great coordination. He slipped and countered with blazing speed, moving his torso fluidly and unleashing three-, four-, or even five-punch combinations with astonishing naturalness. He also had a granite chin and the ability to respond immediately with fast counterpunches. A blend of athletic and technical gifts with few equals.
Aaron was born on October 20, 1955, in Over-the-Rhine, a neighborhood in Cincinnati. He was one of seven children of Sara Shelery, a fiery woman unafraid to physically confront the men who came in and out of her life. Born out of wedlock, young Aaron grew up without a father figure and with no guidance:
“I had four brothers and two sisters, but I had a different father from the others. I was the kid nobody paid any attention to. I was neglected and completely lost. Some nights I just said to hell with it and slept in a doorway somewhere. Wasn’t anything at home for me anyway.”
This, also to avoid the corporal punishments — that is, whippings — his mother would inflict on anyone who failed to respect the 9:00 p.m. curfew she had imposed.
He began boxing at the age of 13, almost by chance, out of curiosity, at the Emmanuel Center on Race Street. A gym instructor had seen him fighting in the street and invited him to give boxing a try. There, he discovered a structured world built on discipline and “cleanliness”: everything he lacked at home, where he was surrounded by drugs, alcohol, and chaos.
Thus, young Pryor found in boxing both purpose and release. He had a stellar amateur career, seemingly destined for greatness, compiling a record of 204 wins and 16 losses. Among his victories was one over Thomas Hearns, in the Golden Gloves final.
At 17, he finally learned the identity of his father, Isiah Graves. Aaron had seen him around before, but the man showed no real interest in his life.
In November 1976, Pryor began his professional career for a $400 purse, under contract with Buddy LaRosa, the owner of a pizza chain. He simply needed to work, and at that time he did not attract much attention, unlike Sugar Ray Leonard, who debuted in February 1977 for $40,000, with none other than Angelo Dundee in his corner.
But Pryor was not discouraged. In the following years, he racked up win after win, crushing opponents with relentless aggression and suffocating pressure. His exciting, all-action style earned him fans and increasingly lucrative purses.
A photograph taken on July 9, 1978, captured him training in a Cincinnati gym for his bout against Marion Thomas, sparring at an elite level with Sugar Ray Leonard. After a couple of offers from Leonard’s camp in 1980, both rejected by Aaron for being financially unappealing, the two were supposed to face each other in 1982, and a contract was even signed. However, after Leonard’s retina detachment suffered in the Hearns fight, Ray temporarily retired, and the match fell through.
In 1980 came the first major milestone of Pryor’s career: his bout against veteran Antonio Cervantes for the WBA super lightweight title. Aaron demolished the champion in four rounds, becoming world champion for the first time.
Then came 1982: the first clash with Nicaragua’s idol, Alexis Argüello, a historic rivalry and one of boxing’s all-time pinnacles. Argüello was on the brink of legend, one victory away from claiming a fourth world title in as many weight divisions, something never achieved before. He entered the ring with the aura of a master: his technical precision and grace had captivated fans everywhere.
Pryor didn’t care in the slightest. He seemed to have no plan — he simply did what he did best: attack relentlessly, like a hawk, to wear down and smother his opponent under a storm of punches. But across from him stood an equally incredible fighter, one who withstood blows that could have felled an ox, and who, in the second half of the fight, managed to put Pryor in serious trouble with crisp, powerful shots. Two fighters at the height of their powers gave birth to one of the greatest fights in boxing history.
Like every legendary tale, this fight also carried its share of mystery, embodied in the famous “Panama Lewis bottle,” referring to Pryor’s trainer at the time. After thirteen rounds of punishing intensity, having given everything they had, Pryor and Argüello returned to their corners. It was then that Lewis uttered his now-infamous words to his assistant: